Compartir
Music Entries at Stationers' Hall, 1710–1818: From Lists Prepared for William Hawes, D. Wi Krummel and Alan Tyson and From Other Sources (en Inglés)
Michael Kassler (Autor)
·
Routledge
· Tapa Dura
Music Entries at Stationers' Hall, 1710–1818: From Lists Prepared for William Hawes, D. Wi Krummel and Alan Tyson and From Other Sources (en Inglés) - Michael Kassler
$ 176.35
$ 293.91
Ahorras: $ 117.56
Elige la lista en la que quieres agregar tu producto o crea una nueva lista
✓ Producto agregado correctamente a la lista de deseos.
Ir a Mis Listas
Origen: Reino Unido
(Costos de importación incluídos en el precio)
Se enviará desde nuestra bodega entre el
Jueves 18 de Julio y el
Martes 30 de Julio.
Lo recibirás en cualquier lugar de Estados Unidos entre 1 y 3 días hábiles luego del envío.
Reseña del libro "Music Entries at Stationers' Hall, 1710–1818: From Lists Prepared for William Hawes, D. Wi Krummel and Alan Tyson and From Other Sources (en Inglés)"
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.